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Marais - Tombeau pour Monsieur de Sainte-Colombe | Harmonia Mundi HMM905356

Marais - Tombeau pour Monsieur de Sainte-Colombe

£16.51

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Label: Harmonia Mundi

Cat No: HMM905356

Barcode: 3149020948958

Format: CD

Number of Discs: 1

Genre: Chamber

Release Date: 30th August 2024

Contents

Works

Marais, Marin

Pieces de viole, Book 2
» Suite no.1 in D minor: Ballet en rondeau
» Suite no.1 in D minor: Couplets de folies
» Suite no.2 in D minor: Cloches ou Carillon
» Suite no.2 in D minor: La Polonaise
» Suite no.2 in D minor: Prelude
» Suite no.3 in D major: Les Voix humaines
» Suite no.4 in G major: Chaconne en rondeau
» Suite no.6 in E minor: Allemande
» Suite no.6 in E minor: Gigue
» Suite no.6 in E minor: Prelude
» Suite no.6 in E minor: Sarabande a l'espanol
» Suite no.6 in E minor: Tombeau pour Monsieur de Sainte-Colombe
» Suite no.8 in A major: Fantaisie

Sainte-Colombe, Monsieur de

Concert a deux violes 'Le Retour'
» no.44 Tombeau Les Regrets

Visee, Robert de

Chaconne in G major

Artists

La Reveuse

Conductors

Florence Bolton
Benjamin Perrot

Works

Marais, Marin

Pieces de viole, Book 2
» Suite no.1 in D minor: Ballet en rondeau
» Suite no.1 in D minor: Couplets de folies
» Suite no.2 in D minor: Cloches ou Carillon
» Suite no.2 in D minor: La Polonaise
» Suite no.2 in D minor: Prelude
» Suite no.3 in D major: Les Voix humaines
» Suite no.4 in G major: Chaconne en rondeau
» Suite no.6 in E minor: Allemande
» Suite no.6 in E minor: Gigue
» Suite no.6 in E minor: Prelude
» Suite no.6 in E minor: Sarabande a l'espanol
» Suite no.6 in E minor: Tombeau pour Monsieur de Sainte-Colombe
» Suite no.8 in A major: Fantaisie

Sainte-Colombe, Monsieur de

Concert a deux violes 'Le Retour'
» no.44 Tombeau Les Regrets

Visee, Robert de

Chaconne in G major

Artists

La Reveuse

Conductors

Florence Bolton
Benjamin Perrot

About

In this new album, Florence Bolton and Benjamin Perrot revisit the composer who gave their ensemble its delightful name, ‘La Rêveuse’. Drawing on his heritage (Sainte-Colombe), his friendships (Robert de Visée) and his own visionary genius, Marin Marais blazed new trails for his instrument in his second book of viol pieces (1701). Alongside the customary dances and sets of variations, he invented the ‘character pieces’ that were to become so popular in the eighteenth century.

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